This is to let you all know that I've plowed through, not single-handedly, another Audiobook recording; it's titled "A Life's Morning" by George Gissing, published in 1888. It can be downloaded here for free from Librivox. I joined in the group recording effort in May 2013 and recorded 18 of its 33 sections. It was hard-going at times, but boy I'm glad it's finally done.
I did not know of this late 19th century British author before I started recording for this project. Though priding myself on having read a lot of the English literary classics from 18th century to early modern era, I've been finding out, to my amazement, the names of so many writers whom I've never heard of, simply by randomly browsing the free (no longer copyrighted) titles available on Project Gutenberg. Like so many men and women of letters in various time and various quarters of the globe who have been overshadowed by their greater contemporaries, Gissing in his brief existence left a considerable literary production. Whether his novels have any significant worth in the opinion of literary critics, they provide a window onto the life and preoccupations of the people of his time, which though very unlike our own, we can still thoroughly enter into on the basis of our shared human experience.
Saturday, August 16, 2014
Sunday, July 13, 2014
die Fußballweltmeisterschaft
![]() |
| Like a Dream |
After this world cup, I hope the sport soccer or "football" in every other country in the world will gain more of a following in American society, alongside the NBA, NFL, MLB, and other team sports and eventually produce some world-class athletes.
![]() |
| Phares Whitted Quartet |
Labels:
IU,
Recreation
Sunday, June 22, 2014
Slow Movement
At the beginning of this century (it's kind of special that our lives straddle two centuries), there arose a movement towards "consciously" slowing down the frantic pace of life that carries us along whether we want it to or not. And that was in the pre-iPhone era, mind you. The movement started more or less simultaneously in various aspects of our modern life - there is a Slow Food Movement, a book called In Praise of Slowness, a blog called Slow Love Life, albeit that came later, and so on.
Even in architecture, it was becoming cool, when I was studying architecture from 2001 to 2005, to draw, design, and fabricate by "hand"- molding beautiful architectural adornments painstakingly from raw material to finished products. The design philosophy of architects of the likes of Billie Tsien and Tod Williams, and Tom Kundig were given as examples in class. I remembered going on a field trip to see the now-no-longer-existing American Folk Art Museum on W. 53rd Street, New York, designed by the Tsien-Williams team, completed in 2001, and being awe-struck by its fractured façade, consisting of 63 individually cast, copper-bronze panels (which incidentally have been saved from demolition). The building was torn down recently to make way for an expansion of the Museum of Modern Art. There was a huge outcry regarding MOMA's controversial decision to demolish this unique, jewel-box-like museum (itself a work of art), whose brief, barely a decade old life span was almost unheard of in the annals of building construction.
What has got me thinking about slowness, though it is not really relevant to the slowness movement described above, was my recent discovery of a German learning blog called Slow German, posted by someone who periodically reads in a slightly slower pace a short essay in German on various topics to aid people who are interested in learning German. (It is amazing how many helpful and free resources one can find on-line about almost anything.) I have been frustrated by not being able to break through the barrier between understanding the grammar and vocabulary of German and speaking it spontaneously. I'm convinced that there is a mysterious threshold which one crosses in learning a new language as an adult, when, quite unbeknownst to you, one day you become able to speak in consecutive sentences about certain subjects in that new language, like the time you came to be able to ride a bicycle. This of course is just fuzzy thinking on my part; I know full well that nothing will happen unless I put in the time to practice and practice and practice.(But, I'll keep you posted on the day it happens for me, if it does happen at all.)
What follows is a TED talk by the author of In Praise of Slowness, Carl Honore, if you're interested -
Even in architecture, it was becoming cool, when I was studying architecture from 2001 to 2005, to draw, design, and fabricate by "hand"- molding beautiful architectural adornments painstakingly from raw material to finished products. The design philosophy of architects of the likes of Billie Tsien and Tod Williams, and Tom Kundig were given as examples in class. I remembered going on a field trip to see the now-no-longer-existing American Folk Art Museum on W. 53rd Street, New York, designed by the Tsien-Williams team, completed in 2001, and being awe-struck by its fractured façade, consisting of 63 individually cast, copper-bronze panels (which incidentally have been saved from demolition). The building was torn down recently to make way for an expansion of the Museum of Modern Art. There was a huge outcry regarding MOMA's controversial decision to demolish this unique, jewel-box-like museum (itself a work of art), whose brief, barely a decade old life span was almost unheard of in the annals of building construction.
What has got me thinking about slowness, though it is not really relevant to the slowness movement described above, was my recent discovery of a German learning blog called Slow German, posted by someone who periodically reads in a slightly slower pace a short essay in German on various topics to aid people who are interested in learning German. (It is amazing how many helpful and free resources one can find on-line about almost anything.) I have been frustrated by not being able to break through the barrier between understanding the grammar and vocabulary of German and speaking it spontaneously. I'm convinced that there is a mysterious threshold which one crosses in learning a new language as an adult, when, quite unbeknownst to you, one day you become able to speak in consecutive sentences about certain subjects in that new language, like the time you came to be able to ride a bicycle. This of course is just fuzzy thinking on my part; I know full well that nothing will happen unless I put in the time to practice and practice and practice.(But, I'll keep you posted on the day it happens for me, if it does happen at all.)
What follows is a TED talk by the author of In Praise of Slowness, Carl Honore, if you're interested -
Labels:
Culture,
Everyday Life
Monday, June 9, 2014
Stand up for Health
![]() |
| Writing while standing |
![]() |
| My petite stand |
26. 06 2014 Update:
![]() |
| Compression socks and anti-fatigue mat to the rescue |
Labels:
Everyday Life
Thursday, March 27, 2014
Spring Delayed
| March 26, 2014 |
Labels:
Bloomington,
Seasons
Wednesday, January 29, 2014
Happy Chinese New Year!
| From Google Image |
Labels:
Greetings
Friday, January 3, 2014
Why do I continue to watch Downton Abbey?
![]() |
| Downton Abbey Cast Season 4 |
![]() |
| Dynasty Cast Season 6 |
Maybe the question to myself should be posed in another way, by appending, "And nothing else?" The New York Times today tried to treat the American fascination with Downton Abbey as a pop cultural phenomenon, a veiled look at the life of contemporary America through the lens of a period British romance spun out of the mind of Julian Fellowes - the writer and creator of the series. It suddenly occurs to me that this BBC Masterpiece series is not much different from Dynasty, the # 1 American soap opera of the 90s. That TV series ran for 9 seasons with 220 episodes from 1981 to 1989, while Downton Abbey with its fourth season debuting in the U.S. this Sunday, may be, for all we know, geared to catch up in its longevity and popularity with the vintage American TV drama.
I'm not at all sure, as I write, where this query is going to lead to or what my answer will be at the end of this post. My take on this is strictly personal; I'm certainly not qualified to speak about contemporary American pop culture, though my life is unavoidably immersed in it, nor to discuss the social significance embedded in D.A. What especially disqualifies me to speak like a social or cultural critic is the fact that I do not watch, aside from Downton Abbey, any TV dramas--the large array of hip dramatized stories of modern life on TV that supposedly reflect the American Zeitgeist and are often discussed on Fresh Air by Terry Gross. The cause of this aversion is complicated, visceral rather than rational, like avoiding looking at blood. I also don't read popular fiction, those appearing on the Time's Best Sellers list or Oprah Winfrey's Book Club reading list or what have you. In fact the fictions I read are mostly from the late 18th to early 20th century, by authors such as Jane Austen, George Eliot, Elizabeth Gaskell, Henry James, Virginia Woolf, and the like. Somehow I feel more at home in those bygone eras. But why the anachronism? What is it about those times which speaks to me more than the here and now? Perhaps I'm an Anglophile; that will explain why Downton Abbey is my cup of tea! However, with the exception of having the tendency to a stiff upper lip, I can't say that I feel especially akin to the Anglo-Saxon race.
Nor can I say that I'm hooked by the plot lines in the ever-developing saga. They are more potboilers than great literature, written in a haphazard fashion, dictated by contingencies sometimes (such as Mathew Crawley's untimely death) than the internal logic of the storyline. What about the characters? Are they more special than the general human lot? It is probably fair to say that these people are no better nor worse than the average Joe, then or now, though somewhat glamorized, both those living upstairs and downstairs.
Maybe--here is the anti-climax--what attracts me most is the depiction of the tenor of life in the late 19th, and early 20th century, in both the novels from that period and the period dramas which BBC excels at. There is a certain quality to it, like strolling in a green field, of taking in life in a calm and orderly way, a certain nicety of speech or manner, which seems to be missing in our lives. At any rate, life seen at a distance seems to me more palatable than seen in close-up.
Labels:
Culture







